Category Archives: Monks and Monasticism

Who needs canon law?

Basically, everyone the Middle Ages needed canon law. Here’s my latest post for the work blog, about some of the people in Durham who needed canon law and the books they left behind:

Who needs canon law?

 

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Anselm’s human face

Anselm; image from Wikipedia

In his Life of St Anselm, Eadmer tells of a time when they were staying in a church in Italy, outside of which was a cistern with a hole in the top:

One night, when we were sleeping in this church, Anselm happened to get up with a gentle step, as his manner was, lest he should disturb us. But when he had got outside, he forgot the hole, and, making his way towards it in the darkness, he fell in, crying with a loud voice as he fell, ‘Holy Mary.’ At this noise, we and our companions who were sleeping in the tents, leaped up from our beds in a panic and ran to him. When we saw him at the bottom, we were almost beside ourselves with fear and anguish of spirit. Seeing this, he at once raised his head and with a courteous air and cheerful look told us that he had come to no harm. Some of us therefore climbed down on the side opposite to the sheer drop where there was a way of descent, and brought him out of the place altogether safe and sound. -Book 1.32, Trans. R. W. Southern p. 110

It’s the cry, ‘Sancta Maria!’ that gets me.

Everything a monk needs: My latest post on the Durham Priory Project blog

I have just posted a wee discussion of the book donation list of William of St Calais and how it includes precisely the sort of books monks need to live by the Rule of St Benedict. It’s linked below. Enjoy!

The Book Donation List Of William Of St Calais: Everything A Monk Needs?

A new cast of characters

Theodosius II, in the Louvre (my photo)

Since before my Ph.D., my research has focused on a largely fifth- and sixth-century cast of characters. For my Ph.D. and subsequent research, I’ve been looking at the following players amongst others: chiefly Pope Leo the Great (of course); Emperors Valentinian III, Theodosius II, and Marcian (but also various predecessors and successors, especially Justinian); other bishops such as (as they come to mind) Hilary of Arles, Cyril of Alexandria, Nestorius of Constantinople, Flavian of Constantinople, Cyril of Alexandria, Severus of Antioch; Leo predecessors in Rome, especially Damasus, Siricius, Innocent I, Zosimus, Celestine I; successors, especially Hilarus, Gelasius I, Vigilius; other secular people such as Empress Pulcheria and Empress Galla Placidia; historical writers such as Prosper of Aquitaine, Hydatius, Marcellinus Comes, Evagrius Scholasticus, Pseudo-Zachariah Rhetor; and monks like John Cassian and Eutyches. These are only a few of the Late Antique people in my research, let alone a medieval cast including Pope Hadrian I, Charlemagne, Lanfranc of Bec, Pope Gregory VII, Gratian, and the moderns from Giovanni Bussi in 1472 to Hubert Wurm in 1939.

Now I’m working on a project involving related manuscripts, but in a very specific context — Durham Cathedral Priory. So a new cast is emerging. The texts transmitted in these manuscripts see many of the old cast — the popes, the councils, St Augustine of Hippo — but the new, High Medieval cast is taking shape for me now.

I am beginning with William of St Calais, after a monastic career in Normandy, he was Bishop of Durham 1080/1-1096. He refounded the religious house here as a Benedictine priory to which he donated at least 49 books, listed here, and some identified in modern locations here. One book not identified in that link is the Decreta Pontificum, now Cambridge, Peterhouse MS 74 — the Collectio Lanfranci.

So Lanfranc here and in the Ph.D. After a monastic career in Normandy, Lanfranc was Archbishop of Canterbury 1070-89. Lanfranc and William were both learned men, and they both used the Collectio Lanfranci in various disputes and claims regarding law and ecclesiastical custom. Of interest is the fact that, when William of St Calais was hauled before the court of King William Rufus (r. 1087-1100) in 1088, Bishop William used Lanfranc’s collection as preparation, but Lanfranc’s denied its validity in what was a secular court over feudal law. More on that once I’ve looked at their manuscripts.

Henry V visits his father in prison (from Wikimedia Commons)

Here we have a king — William Rufus, son of William the Bastard, or Conqueror (r. 1066-1087). My working through a manuscript this week has also brought me into contact with the era of the Conqueror’s other son, King Henry I (r. 1100-35), but those particular documents were largely canon law, about the Investiture Controversy, the Concordat of Worms of 1122 and the First Lateran Council of 1023 — documents by King/Emperor Henry V and Pope Calixtus II.

This I had recently read about in the Historia Regum of Symeon of Durham (d. c. 1130), who also wrote a little book about the history of the church of Durham and possibly even our primary source for Bishop William vs King William Rufus, the De iniusta vexacione, but my research into secondary materials has not got that far yet.

Others, more briefly: Anselm of Canterbury (who did not get along with William of St Calais), Pope Gregory VII, Gratian, Anselm’s biographer Eadmer. It is a new, medieval cast of characters, and some are more than a little colourful. People who use canon law are a varied lot, and we’ll see what I make of their manuscripts.

My new job

As you may know (since the 11 people who read this blog are my friends and family), I recently started a new job at Durham University after seven happy years of life, study, and work in Edinburgh. And what, you may ask, is my new job?

I have a one-year post-doctoral research post associated with the project ‘Durham Priory Library Recreated‘, focussing my research on Durham Priory’s collection of canon law manuscripts. I am starting my research with a canon law manuscript that William of St-Calais (Bishop of Durham, 1080-93) brought to Durham when he became bishop and refounded the religious house associated with the cathedral as a Benedictine Priory. He also started the rebuilding of the cathedral into its Norman/Romanesque magnificence in 1093. Bishop William brought 50 manuscripts with him, including the manuscript I’m initially looking at, a copy of Collectio Lanfranci, a canon law collection brought to England from Normandy by Lanfranc of Bec, Archbishop of Canterbury 1070-89; this collection is a trimmed version of the collection associated with the name Pseudo-Isidore (on whom/which I turn your attention to the work of Eric Knibbs). After, or alongside, William of St-Calais’ Collectio Lanfranci, I’ll be studying the cathedral priory’s other, later, canon law manuscripts.

If canon law doesn’t float your boat, perhaps William’s Bible will.

The research project is a digitisation project bringing together in one digital place all of the manuscripts and early printed books that belonged to the pre-Reformation priory. This means not only the ones at Durham Cathedral and Durham University but also manuscripts that have gone off wandering to London, Cambridge, Oxford, etc. Besides studying the priory’s manuscripts for the creation of new scholarship, I will also contribute to the project blog and engage in public outreach — public lectures, seminars, that sort of thing — besides organising a scholarly workshop in 2018 about Canon Law in Medieval Durham.

I have already settled into my new desk and started ploughing through the material about Durham and William of St-Calais, much of which was written by Symeon of Durham (d. 1129ish). Perhaps I’ll write about him soon! I’ve also visited the cathedral a couple of times and walked down by the river and generally enjoyed living in a city with a big, famous cathedral and a castle.

It looks to be an exciting year.

An allusion to Leo the Great in Anselm of Canterbury

Anselm; image from Wikipedia

Today I found a convergence between my current reading and my Ph.D. (plus my 2016 article in Studia Patristica). Anselm of Canterbury, in his philosophical discussion of the ‘supreme essence’, and shortly before attempting to use logic to prove the Trinity (a dubious task at best), writes:

Videtur ergo consequi ex praecedentibus quod iste spiritus, qui sic suo quodam mirabiliter singulari et singulariter mirabili modo est, quadam ratione solus sit, alia vero quaecumque videntur esse, huic collata non sint. (Monologion 28)

Therefore, it seems to follow from the preceding that that spirit, who exists in a certain marvellously singular and singularly marvellous way, for some reason, exists alone; although everything else seems to exists, it does not exist compared to it [that is, the supreme essence].

The phrase that catches the eye is, ‘mirabiliter singulari et singulariter mirabili‘, which I have translatedm ‘marvellously singular and singularly marvellous.‘ Although in the ablative, this is a direct quotation of Leo’s Tome (Ep. 28):

singulariter mirabilis et mirabiliter singularis

It’s a nice turn of phrase, a happy little chiasmus. The context of the phrase is different in Leo; he is talking about the Incarnation, that Christ’s birth was ‘singularly marvellous and marvellously singular’. Singularis could also be translated as unique.

Is the allusion conscious? I do not know. It is clear, however, that Leo’s most famous dogmatic letter is part of Anselm’s reading list. One of the points made by Jean Leclercq’s classic work, The Love of Learning and the Desire for God is the fact that monastic writers tend to make allusions to and quote classical and patristic authors almost unconsciously. Their formation as monks, their study of grammatica, was filled with those authors considered to be the best stylists by the medieval monks, both pagan and Christian: Vergil, Ovid, Horace, Cicero, Augustine, Jerome, Gregory the Great. Beauty is an attribute of God; therefore, even Ovid is worth reading because he is beautiful.

Anselm was the principal teacher at the monastery of Bec, 1063-1078. In 1078 he was made abbot. The Monologion whence comes the Leonine allusion under consideration was his first major work, published, he says, at the insistence of his students. His Proslogion would follow as well as De Grammatico. All of these works show the imprint of the school room and the necessity to teach grammar and literature to students and young monks.

As a result of his textual immersion in the ancient pagans and church fathers, Anselm’s mind was formed by more than just logic. It was shaped by Latin, by the art of teaching grammar. These texts would be imprinted on his mind and heart by constant reference to them, time and again. The Tome of Leo, I am given to understand, has often been monastic reading at Christmastide. I wonder if such was the case at Bec in the 1060s?

Anyway, Anselm is trying to demonstrate the logic of belief in God using pure reason. It is an almost impossible task, especially when you start to spot the Platonist assumptions that lie behind some of his premisses. Nonetheless, this naked approach to discussing God was not always well met by his contemporaries. His teacher Lanfranc, having moved on to the Archbishopric of Canterbury (a position Anselm would hold himself), criticised the Monologion for not making reference to Augustine of Hippo.

Yet I have no doubt it does, in the sense of allusion. It alludes to Leo the Great. Augustine is a much bigger source for medieval thought than Leo, although Leo is important for setting the boundaries of belief held by catholic churchmen.

What does the allusion to Leo mean? Obviously the Tome is Anselm’s intertext. That is easy. And no doubt throughout, his bare logic is interwoven with other intertexts I have not seen. For Leo, it is (to borrow a phrase from G.K. Chesterton, The Thing) the ‘stereoscopic vision of the two natures of Christ’ that holds his vision and guides his meditation. Leo does not necessarily work from logic; indeed, the chief complaint from Leo’s posthumous adversary, Severus of Antioch, is that Leo does not use logic well enough and falls into heresy. Leo’s argument is driven by rhetoric, by an innate sense of western catholic thought, by scriptural authority.

Anselm, on the other hand, is driven by logic. Moreover, this meditatio that he has produced is a sustained reflection on the nature of divinity and deducible by logic. Leo and Augustine intrude not as conscious sources but as unconscious guides. By transplanting the Leo quotation from the context of the Incarnation to the context of the divine essence, to the realm of logic and pure theology, Anselm has elevated the phrase to the highest heights of the seventh heaven, beyond even the primum mobile. His mind is not bound by the original use of the phrase, and he takes what is a lovely rhetorical device and deploys it in the midst of an exercise in logic that tires the modern mind.

This allusion to Leo’s Tome sets out for us precisely what sets Anselm apart. He is so thoroughly steeped in the classical-Christian Latin tradition of Bec’s school room that when he engages in the philosophy of religion and seeks to use logic alone to prove the core dogmas of catholic thought, he cannot help bringing with him these monastic and classical and, indeed, dogmatic intertexts. He is a man of two worlds; not yet a scholastic but strongly contrasted with the poetic monastic discourses of Bernard of Clairvaux in a few decades.

The 12th century

IMG_6264

The Ambulatory at St-Denis, the birth of Gothic architecture

Every once in a while you are confronted with ‘important’ periods in history — 135 BC to AD 14, for example, takes us through the collapse of the Roman Republic to the death of Augustus, the first Emperor. Or the fourth century, with the continuation of Diocletian’s reforms, Constantine’s conversion to Christianity, the various church councils and associated theologians, all culminating in what Peter Brown calls the ‘second’ Golden Age of Latin literature. Or the 16th century, an age of Reformation and print and philosophy and war.

The 12th century is similarly important, especially its middle decades.

The final year of the 11th century is the year the Crusaders took Jerusalem. The final decades of 1000s also saw the Investiture Controversy and the Gregorian Reform, which continued beyond 1100 and adjusted the balance of secular and ecclesiastical power in Europe. In the midst of this is St Anselm (1033-1109), whose Cur Deus Homo was completed in the year 1100; this brilliant logician and theologian was to die in 1109.

Not that Latin theology was left with no new lights in the upcoming decades — St Bernard of Clairvaux (1090-1153) helped drive forward the new Cistercian Order and is a high point in western mysticism, particularly his sermons on the Song of Songs, begun in 1135; he is often called the Last of the Fathers and is a ‘Doctor’ of the church. Bernard sharpened his wit in intellectual combat against Peter Abelard (1079-1142), who is an early ‘scholastic’ theologian (whereas Bernard was a monk) who was more given over to Aristotle than to Plato, to logic than to mysticism, and who was involved in the methodological revolution in the universities that we call ‘Scholasticism’.

Abelard was important and is known even to non-medievalists today, often because of his relationship with Heloise and their illegitimate son, Astrolabe (we have even a Penguin Classics translation of their letters!). However, some of his controversial conclusions were rejected by the succeeding tradition; one of his successors, Peter Lombard (1100-1160), on the other hand, wrote what would become the standard textbook of theology for the Middle Ages, the Sentences (1147-50), on which the luminaries of the next century, such as St Thomas Aquinas (1225-1274), would write commentaries. Although his orthodoxy, like Abelard’s, was challenged, his memory was acquitted at the Lateran Council of 1215.

Around the same time as Peter Lombard’s greatest work and the mystical masterpieces of St Bernard, but in the final years of Abelard, Gratian wrote his Decretum — or, rather, ‘Concord of Discordant Canons’. This is one of the most influential works of canon law from the Middle Ages, drawing together the various sources of the law under systematised headings and providing Gratian’s own dicta to sort out the discrepancies between. It is at once a source for canon law, a juristic text for legal principles, as well as a study in Christian sacraments. The Decretum is a wondrous piece of 12th-century learning, born in the university at Bologna in 1139 with final edits in the 1140s. Like Lombard’s Sentences it would become a standard textbook for the rest of the Middle Ages.

These are what initially inspired me to write this post. Nonetheless, this is also the century of the birth of Gothic art under the vision of Abbot Suger of St-Denis; the great architecture of Norman Sicily comes this century as well. Towards the end of the century the Nibelungenlied — Germany’s great vernacular epic — was written (I’ve blogged on it here often in the past). The latter half of the century also sees Chrétien de Troyes (1130-1191), Marie de France (fl. 1160-1215), and Hartmann von Aue (1160-1210s). This the century of that medieval stereotype, the troubadour.

No piece about the twelfth century should go without mentioning the dubiously historical work of Geoffrey of Monmouth (1095-1155), that famous History of the Kings of Britain was written, including many famous tales of King Arthur. More reliable was William of Malmesbury (1095-1143), who wrote several important works of English history in Latin prose.

One could go on. It’s interesting to see these convergences, especially the significant pieces written 1140-60.